Please review the topics below for helpful tips and tricks.
CCD = “Charge Coupled Device”
Based on photoelectric effect (Heinrich Hertz)
Photons in – electrons out…Proportional
Primary unit is the pixel (Picture Element)
Chip can have 100K’s to millions of pixels
Circuit has an amp and A/D converter
Signal to noise ratio (SNR) is concern
| Rough Analogy | Half Tone Image |
| Half Tone news print picture made up of ink dots. Ink dot density is in proportion to image light and dark areas. |  |
| CCD image made up of pixels which have electron density proportional to image light and dark areas. |
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| High QE KAF-0402ME CCD |
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| Atik 16C | Celestron Neximage | Meade DSI Pro |
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| DSLRs | SBIG | Starlight Express |
CCD has greater light sensitivity
Avoids reciprocity problem of film
Almost Instant image examination
Image “Stacking” ~ long exposure
Can remove plane/satellite tracks
Can use almost any type of scope, even a camera lens with an adapter
Shorter FL scopes = shorter exposure time and less demanding tracking
Typical scopes include 60-152mm refractors and 6-14” Newts & SCT
f/5 or less = “fast” focal ratio scope
Image scale is an important consideration
| 10” SCT @ f/10 Atik 16C | 10” SCT @ f/3.3 Atik 16C |
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| Matching telescope to CCD chip size & object is critical |
The single most important component
Must be able to track & have low PE
Must be solid & vibration dampening
Must be capable of supporting wt. of gear
Should be capable of being guided
Needs to be polar aligned for long exposures
| Fork and Wedge | Fork AltAz | German Equitorial |
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The histogram graphically depicts the exposure of the image. The “X” axis of the histogram shows from black on the far left to white on the far right. The “Y” axis illustrates the number of photons captured along that continuum.
Will need to manipulate digital image to bring out the image data
Post capture data manipulation divided into “Calibration”, preprocessing & “Post processing”
Calibration removes various types of “noise”
Post processing “stretches” (enhances) the image data
Involves another learning curve

| Type | Nickname | Purpose |
| Luminance | lights | Image |
| Bias Frame | Bias | Calibration |
| Dark Frames | Darks |
| Flat Field | Flats |
Represents bias signal already on the chip before the image is taken. (it’s always present)
Taken at min. exposure time & the scope covered
Taken at same temp as dark and light frame
Records the thermal noise of the actual exposure
Noise increases with exposure time and ambient temp. (reason CCD’s are cooled)
A dark frame should be taken at same time & temp. as the light exposure
Electrical noise in system
affected by time & temp.
Taken with objective lens covered & same time & temp as light frame
Must subtract bias from dark to get a “clean ”dark frame
Flats are another type of calibration image
They remove photosite to photosite variations and problems in the optical train (dust motes, gradients, vignetting, etc.)
Flats need their own calibration with bias & dark frames before being used
Must be taken with same optical set-up
Next step after image calibration
“Stacking” combines sub frames, increases S/N ratio, simulates a long exp.
Aligning reduces tracking errors of mount and some sky rotation in AltAz mounts
| Before | After |
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| Before | After |
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| EMS Spectrum | Visible Light |
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| Two Ways to Color |
| B&W (monochrome) with individual RGB filters | | |
| One Shot Color with filters on Chip | | |
Must use separate images taken through individual RGB color filters (not visual filters)
Need Luminance image, usually with an IR block filter, to enhance image detail,
Result is higher resolution than 1-shot color but requires 4x the number of images
Preprocess color image as if “raw” B&W with regard to “Bias, Darks & Flats”
Must “deBayer” into component colors
Software then magically combines RGB
Post process as Tiff or Bmp
Requires significantly longer imaging sessions than One-shot color.
Time introduces variables (focus between filters, tracking, sky position, etc).
Most advanced imagers use LRGB imaging
Set-up and polar align mount & scope (drift align)
Find target to image & critically focus
Determine maximum exposure time
Set software to take a series of Lum exposures (25-50)
Take 10-15 bias frames at lowest exposure time
Take 10-15 dark frames at time & temp of light exposure
Take 10-15 flat frames at 1/3 to ½ ADU of light exposure
If color, repeat with individual RGB filters (not with one-shot)
Break-down equip. and head home (~4am)
Calibrate all sub frames
Align & combine all calibrated sub frames and save as separate files
Process to merge into an LRGB image
Post process in PhotoShop or similar to bring out detail
Swear you’ll do better next time
Are you willing to make the commitment?
Will you or your bank account go first?
Will your marriage survive?
The Reward
You get to hang out with a great bunch of people!
Ron Wadoski’s “The New CCD Astronomy”
R. Scott Ireland “Photoshop Astronomy”
Michael A. Covington “Astrophotography for the Amateur” 2nd ed.
Plus many others